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The work itself shows its procedural dimension. Time, memory and everyday life are definitely some of his lines of force, deeply implied in his creating procedures. Eduardo’s production also falls within a relational dimension. We can see that, looking into his social projects, developing the formation of young artists, also when we find his ways through urban art with “Grupo Aranha”, a collective of artists that created mural paintings in a dialogue with the city of Fortaleza.

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