"Designer, painter, manufacturer of artisan paper and engraver, Eduardo Eloy has accomplished projects related to the formation and diffusion of creation of his line of work, what gives him a singular character, once he canalizes his knowledge in the sense of expansion and even promotes distinct conditions for art in the environment where he lives.(...)”

Ana Mae Barbosa, PHD
Professor at ECA School of Communication and Arts - University of São Paulo.
Former director of the Museum of Contemporary Art of the University of São Paulo.
President of the International Society of Education through Art (InSea).
Visiting professor of the Ohio State University, USA. anamae@uol.com.br

“The artist Eduardo Eloy (Fortaleza, 1995) has a trajectory of the utmost importance not only for his artistic creation for the practical formation connected to various ways of dealing with engraving, but also for the manufacturing and process development of artisan paper. (...)”

Ana Letycia Quadros
Member of the National Commission of Contemporary Arts of the Ministry of Culture of Brazil
Professor in the Museum of Modern Art in Rio de Janeiro
Director of the Brazilian National Institute of Contemporary Arts INAP of Funarte 1989/1990

The trajectory of the Ceará born artist Eduardo Eloy (Fortaleza, 1955) comprises particularities that place him as someone concerned not only with the expression of his own creation but also with the formation of other artists aspects, thus qualifies him aesthetically and humanly.

Elvira Vernaschi
Historian and Art Critic
President of the Brazilian Association of Art Critics (ABCA)

The Northeastern Brazil born artist Eduardo Eloy (City of Fortaleza, 1955) has covered an itinerary very peculiar in the last two decades, pronouncing itself either by its valuable effort in the formation of other artists or by its own aesthetic affirmation. In the first aspect an edifying generosity stands out that is made by the meeting of fervor in the transmission of knowledge and techniques, opening spaces for studies in various techniques related to engraving (...)”

Lisbeth Rebollo Gonçalves, PHD
Director of the Museum of Contemporary Art of São Paulo - MAC
Vice President of the International Association of Art Critics - AICA